BalletX produces original choreography that expands the vocabulary of classical dance for all audiences.
BalletX, Philadelphia’s premier contemporary ballet, unites distinguished choreographers with an outstanding company of world-class dancers to forge new works of athleticism, emotion, and grace. Through the daring vision of its award-winning founders,Christine Cox and Matthew Neenan, BalletX challenges the boundaries of classical ballet by encouraging formal experimentation while preserving rigorous technique. The company is committed to producing new works of the highest quality and integrity that bring the combined visions of choreographers and dancers to life and cultivate in audiences a collective appetite for bold, new dance.
Since the company’s founding in 2005, BalletX has expanded its repertoire with over 50 world premieres by internationally renowned artists including JormaElo, NicoloFonte, Jodie Gates, Annabelle Lopez Ochoa, Edwaard Liang, Adam Hougland, Matthew Neenan, Darrell Grand Moultrie, Gabrielle Lamb, Joshua Peugh, James Gregg, Olivier Wevers, Tobin Del Cuore, and Mauro Astolfi, among others. Firmly rooted in ballet technique, these contemporary pieces challenge BalletX’s dancers with the innovative possibilities of ballet in the 21st century.
With three annual performance series in Philadelphia, BalletX has reached diverse audiences of all ages and backgrounds as the Resident Dance Company of The Wilma Theater. Now recognized worldwide for its unique repertoire, the company participates in growing numbers of national and international tours, including performances at prestigious venues and festivals such as The Joyce Theater in New York City, Vail International Dance Festival in Colorado, Laguna Dance Festival in California, Festival de Ballet in Colombia, Ballet EXPO in South Korea, Sweet Pea Festival in Montana, Spring to Dance Festival in St. Louis, and DANCECleveland, among others.
BalletX’s distinctive contribution to the American dance community has been recognized and supported in recent years by generous grants from the William Penn Foundation, Shubert Foundation, The Jerome Robbins New Essential Works (NEW) Program, John S. and James L. Knight Foundation, Engaging Dance Audiences (a program of Dance/USA), Pennsylvania Council on the Arts, Philadelphia Cultural Fund, and Barra Foundation.