““[Saunders] is a remarkably fresh mind, with talents for suspense and surrealism.”” THE NEW YORK TIMES

“a work with [Neenan's] usual witty eye” THE PHILADELPHIA INQUIRER

“Plunges in where angels fear to tread” THE NEW YORK TIMES

“an irony-free celebration of pure pleasure” THE DANCE JOURNAL

“pure genius” THE DANCE JOURNAL

“a picture in movement of time and mortality” BROAD STREET REVIEW

“a pop-y, playful, and fun dream” Broad Street Review

“reaffirms Neenan's choreographic inventiveness” The Philadelphia Inquirer

“a gripping experience” WXPN's The Key

“full of pulsing passion” The Dance Journal

“as much entertaining as it was inspiring” Philadelphia Magazine

“under Cruz's investigation, the pointe shoe becomes everything it's not supposed to be” The Dance Journal

“exuberant” The Dance Journal

“vulnerable, openhearted and, above all, marvelously free” The New York Times

“a magical spell” The Dance Journal

“sensuous, offbeat use of musicality” The Philadelphia Inquirer

“modern...and especially refreshing” The New York Times

“give artists a canvas and they will fill it with beauty” The Philadelphia Inquirer

“unpredictable, mysterious and at times flat-out hilarious” Philadelphia Magazine

“expertly constructed” Chicago Tribune

“a tour de force” Broad Street Review

“an undulating duet” Broad Street Review

“an appealingly eclectic assortment of music” Broad Street Review

“a study in precision dance” CultureVulture