Repertory
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Steep Drop, Euphoric
“'Steep Drop, Euphoric' is a beautiful work which must be seen. ”
PHILADELPHIA GAY CALENDAR
Premiere
March 7, 2019
choreography
Nicolo Fonte
music
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Ezio Bosso, Ólafur Arnalds
Off the Canvas
“literally art in motion”
THE PHILADELPHIA INQUIRER
Premiere
March 7, 2019
choreography
Katarzyna Skarpetowska
music
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Antonio Vivaldi, Adrian Klumpes
Napoleon/Napoleon
“Political dance satire lives!”
EDGE MEDIA NETWORK
Premiere
November 28, 2018
choreography
Cayetano Soto
music
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Aram Khachaturian, Vivaldi, Shostakovich, Antonio Machín, & Chavela Vargas
Yonder
“Yonder really is poetry in motion.”
BROAD STREET REVIEW
Premiere
November 28, 2018
choreography
Wubkje Kuindersma
music
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Laurie Anderson & Kronos Quartet
The Last Lifeboat
“[The Last Lifeboat] resonates as a testament to the human will to survive”
THE DANCE JOURNAL
Premiere
November 28, 2018
choreography
Marguerite Donlon
music
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Dirk Haubrich
Express
“'Express' raised our spirits”
Broad Street Review
Premiere
August 11, 2018
choreography
Lil Buck
music
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Jon Batiste
Rock-A-Bye
““[Saunders] is a remarkably fresh mind, with talents for suspense and surrealism.””
THE NEW YORK TIMES
Premiere
July 11, 2018
choreography
Penny Saunders
music
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Rosie Langabeer
Situated
“a work with [Neenan's] usual witty eye”
THE PHILADELPHIA INQUIRER
Premiere
July 11, 2018
choreography
Matthew Neenan
music
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Felix Mendelssohn
Requiem
“Plunges in where angels fear to tread”
THE NEW YORK TIMES
Premiere
July 11, 2018
choreography
Andrew McNicol
music
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Wolfgang Amadeus Mozart
The Boogeyman
“McIntyre’s The Boogeyman is pure fun”
THE PHILADELPHIA INQUIRER
Premiere
March 7, 2018
choreography
Trey McIntyre
music
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Marvin Gaye
Stevie Wonder
Johnny Nash
Gilbert OSullivan
Earth, Wind and Fire
Vivir
“a delightful, colorful piece of pairings and playfulness”
THE PHILADELPHIA INQUIRER
Premiere
March 7, 2018
choreography
Darrell Grand Moultrie
music
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Rodrigo y Gabriela
Tito Puente
Bebo and Cigala
On the Mysterious Properties of Light
“a fresh, comic sensibility”
THE DANCE JOURNAL
Premiere
February 10, 2017
choreography
Colby Damon
music
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Harold Budd
Kronos Quartet
Homayun Sakhi
Emilie Levienaise-Farrouch
Ay-Kherel
The Letter
“an irony-free celebration of pure pleasure”
THE DANCE JOURNAL
Premiere
February 10, 2017
choreography
Jo Strømgren
music
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Josh White
C.W. Stoneking
Schachmatt
“truly dreamy”
THE PHILADELPHIA INQUIRER
Premiere
April 26, 2017
choreography
Cayetano Soto
music
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Rina Ketty
Michel Le Grad
Jack Constanzo
Mona Bell
Maria Teresa
Perez Prado
Los Panchos
Let mortal tongues awake
“pure genius”
THE DANCE JOURNAL
Premiere
July 12, 2017
choreography
Matthew Neenan
music
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Pete Namlook
Hauschka
Johann Friedrich Fasch
In between the passing…
“a picture in movement of time and mortality”
BROAD STREET REVIEW
Premiere
April 26, 2017
choreography
Tommie-Waheed Evans
music
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Henryk Górecki
Beautiful Once
“Beautiful Once is beautiful now”
THE PHILADELPHIA INQUIRER
Premiere
July 12, 2017
choreography
Jodie Gates
music
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Ryan Lott
Credo
“Mr. Neenan’s intriguing voice [holds] your attention”
THE NEW YORK TIMES
Premiere
August 3, 2016
choreography
Matthew Neenan
music
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Haydn
Kevin Puts
Bonzi
“a pop-y, playful, and fun dream”
Broad Street Review
Premiere
July 6, 2016
choreography
Annabelle Lopez Ochoa
music
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Drums & Tuba
Eric Vloeimans
Michel Banabila
Jo's Film Ensemble
Nils Frahm
Identity Without Attribute
“reaffirms Neenan's choreographic inventiveness”
The Philadelphia Inquirer
Premiere
July 6, 2016
choreography
Matthew Neenan
music
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Klip Collective
Time Curves
“a gripping experience”
WXPN's The Key
Premiere
April 20, 2016
choreography
Kevin O'Day
music
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Original Score by John King
One Heartbeat Above One Shadow Below
“full of pulsing passion”
The Dance Journal
Premiere
February 10, 2016
choreography
Yin Yue
music
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Juliane Jones & Doug Beiden
Big Ones
“funny, touching, poignant, stirring”
The New York Times
Premiere
February 10, 2016
choreography
Trey McIntyre
music
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Amy Winehouse
Vitamin String Quartet
Beasts
“wonderful, wonderful - and yet again - wonderful”
The Philadelphia Inquirer
Premiere
November 18, 2015
choreography
Nicolo Fonte
music
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Henrik Schwarz
Joby Talbot
Ella Fitzgerald
Olafur Arnalds
Pete Townshend
Bryce Dessner
Pink Martini
Olafur Arnalds & Alice Sara Ott
Patti Smith
Debussy
Show Me
“winning and witty”
The New York Times
Premiere
July 30, 2015
choreography
Matthew Neenan
music
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Brooklyn Rider
When We’re Alone
“as much entertaining as it was inspiring”
Philadelphia Magazine
Premiere
July 8, 2015
choreography
Adam Hougland
music
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Chris Kasper
Malasangre
“throbbing movement vocabulary”
The Dance Journal
Premiere
November 1, 2013
choreography
Cayetano Soto
music
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La Lupe
Talsikan
“under Cruz's investigation, the pointe shoe becomes everything it's not supposed to be”
The Dance Journal
Premiere
February 18, 2015
choreography
Norbert De La Cruz III
music
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Ben Juodvalkis
Triptych
“exuberant”
The Dance Journal
Premiere
February 18, 2015
choreography
Val Caniparoli
music
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Alexander Balanescu
John Tavener
Gran Partita
“fresh movement”
Broad Street Review
Premiere
November 19, 2014
choreography
Jorma Elo
music
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Alban Berg
Mozart
Monteverdi
J.S. Bach
Increasing
“vulnerable, openhearted and, above all, marvelously free”
The New York Times
Premiere
August 4, 2014
choreography
Matthew Neenan
music
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Franz Schubert
Sunset, o639 Hours
“[a] poetic realm of the imagination”
The New York Times
Premiere
July 9, 2014
choreography
Matthew Neenan, with Composer Rosie Langabeer
music
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The Sunset Club: Rosie Langabeer, Andrew Mars, Joshua Machiz, and Isaac Stanford
Slump
“strenuous and fluid, harsh and delicate, serious and amusing”
Broad Street Review
Premiere
February 12, 2014
choreography
Joshua L. Peugh
music
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Klezmer Juice
Yma Sumac
Ella Fitzgerald
Beautiful Decay
“an evening of explosive, athletic dance”
The Dance Journal
Premiere
July 10, 2013
choreography
Nicolo Fonte
music
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Antonio Vivaldi
Max Richter
Olafur Arnalds
Instantly Bound
“a magical spell”
The Dance Journal
Premiere
April 17, 2013
choreography
Olivier Wevers
music
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Klimek
Ezekiel Honig
Johann Johannsson
Instant God
“sensuous, offbeat use of musicality”
The Philadelphia Inquirer
Premiere
December 7, 2012
choreography
Mauro Astolfi
music
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Massimiliano Giovenco & Carlo Alfano
Valgeir Sigurosson
Nico Muhly
Switch Phase
“modern...and especially refreshing”
The New York Times
Premiere
August 7, 2012
choreography
Matthew Neenan
music
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Brooklyn Rider
Differences in Sections
“give artists a canvas and they will fill it with beauty”
The Philadelphia Inquirer
Premiere
July 11, 2012
choreography
Darrell Grand Moultrie
music
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Kenji Bunch
Mashup
“unpredictable, mysterious and at times flat-out hilarious”
Philadelphia Magazine
Premiere
July 11, 2012
choreography
Adam Hougland
music
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Big Daddy
Delicate Balance
“expertly constructed”
Chicago Tribune
Premiere
April 18, 2012
choreography
Jodie Gates
music
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Arvo Part
Henryk Gorecki
David Lang
Max Richter
Castrati
“a tour de force”
Broad Street Review
Premiere
July 20, 2011
choreography
Annabelle Lopez Ochoa
music
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David van Bouwel
Nicola Antonio Porpora
Friedrich Handel
Bare
“an undulating duet”
Broad Street Review
Premiere
July 20, 2011
choreography
Annabelle Lopez Ochoa
music
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Gustavo Santaolalla
Beside Myself
“an appealingly eclectic assortment of music”
Broad Street Review
Premiere
November 17, 2010
choreography
Tobin Del Cuore
music
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Ben Frost
Beats Antique
Johann Johannson
Mason Bates & Chanticleer
Nico Muhly
Sigur Ros
The Last Glass
“one of the most appealing and singular choreographic voices in ballet today”
The New York Times
Premiere
July 21, 2010
choreography
Matthew Neenan
music
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Beirut
Silt
“a study in precision dance”
CultureVulture
Premiere
November 19, 2009
choreography
Alex Ketley
music
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Tar©JMB
Chris Clark
Giovanni Pergolesi
Arvo Part
Still@Life
“the dance and the accompanying Bach music joyfully cascade together”
Broad Street Review
Premiere
July 23, 2008
choreography
Annabelle Lopez Ochoa
music
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J.S. Bach
Wassenaer
Risk of Flight
“lead[s] the viewers to a dawn after the darkness”
Phindie
Premiere
November 1, 2007
choreography
Adam Hougland
music
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Zoe Keating
Scenes View 2
“a talking dance”
Broad Street Review
Premiere
September 1, 2006
choreography
Jorma Elo
music
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J.S. Bach
Frequencies
“offers a broad, pleasurable palette of movement, rhythms and music”
Broad Street Review
Premiere
August 1, 2001
choreography
Matthew Neenan
music
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Will Gregory
Money Park
Pete M. Wyer
Jump Little Children